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I.2.17 Pompeii. House. Excavated 1869.

 

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I.2.17 Pompeii. September 2010. Looking south from atrium into corridor, with doorway to room 11 (on the left). In the centre of the photo, is the doorway into room 10, triclinium. Photo courtesy of Drew Baker.

I.2.17 Pompeii. September 2010.

Looking south from atrium into corridor, with doorway to room 11 (on the left).

In the centre of the photo, is the doorway into room 10, triclinium. Photo courtesy of Drew Baker.

 

I.2.17 Pompeii. September 2010. Looking east from atrium, towards doorway to room 12, looking into room 13. Photo courtesy of Drew Baker.

I.2.17 Pompeii. September 2010.

Looking east from atrium, towards doorway to room 12, (centre) looking into room 13. Photo courtesy of Drew Baker.

 

I.2.17 Pompeii. March 2009. Looking over wall in corridor, looking north-west through doorway in north wall of room 11. Looking north into room 12, the oecus that led through to room 13, the peristyle garden. Room 4 is shown in upper left-hand corner, on the north side of room 12.

I.2.17 Pompeii. March 2009. Looking over wall in corridor, looking north-west through doorway in north wall of room 11.

Looking north into room 12, the oecus that led through to room 13, the peristyle garden.

Room 4 is shown in upper left-hand corner, on the north side of room 12.

 

I.2.17 Pompeii. March 2009.  Doorway into room 12, oecus, looking east to doorway into room 13, peristyle garden.  Warscher writing in her Codex, quoting Mau in Bull. Inst. 1874, p.265, described this as –  “Passiamo adesso nel peristilio, accessibile per la seconda camera a sinistra dell’atrio. E desso piuttosto spazioso ed ha portici verso N e O, il cui tetto era sorretto da due pilastri messi insieme, sull’angolo, ed un’altro sul lato di N, ma più verso E, per lasciar libero lo sguardo dal triclinio situato da quella parte. Verso S e E il muro del giardino è diviso in scompartimenti intermediati da altri stretti, in ciascun de’quali è dipinto un candelabro.  Invece gli scompartimenti grandi sono riempiti della pittura d’un giardino: un cancello, sormontato in ciascun scompartimento da un’anfora, e dietro di esso un boschetto con uccelli: a destra e a sinistra Ibis e nel mezzo un faggiano. 
I portici ed i pilastri hanno una decorazione semplici: senza zoccolo vi sono scompartimenti rossi alternativamente stretti e larghi, alti m. 1,46 divisi da striascie gialle e contornati da linee bianche.  Quegli stretti sono abbelliti d’una ghirlanda verticale, mentre fra que’larghi su due troviamo una ghirlanda attaccata colle due estremità, sul resto qualche animale come uccelli ecc”.
See Warscher T., 1935. Codex Topographicus Pompeianus: Regio I.2. (no.31), Rome: DAIR, whose copyright it remains.
(translation: “We go now to the peristyle, accessible by the second room on the left of the atrium. It was rather spacious and had porticoes towards the north and west, whose roof was supported by two pillars linked together on the corner, and another on the north side, but more towards the east, to leave free the view from the triclinium situated at that part. Towards the south and east, the wall of the garden was divided into compartments, between which were narrow ones, in each of which a candelabra was painted. The large compartments instead were filled with a painting of a garden: a gate, surmounted in each compartment by an amphora, and behind it a wood with birds: Ibis were to the right and to the left, and in the middle a pheasant. The porticoes and pilasters had a simple decoration: without a zoccolo, there were red alternately narrow and wide compartments, 1,46m high,  divided by yellow stripes and surrounded by white lines. The narrow ones were embellished with a vertical garland, while between those wide on two were found a garland attached with the two ends, on the rest some animals, like birds, etc.”)

I.2.17 Pompeii. March 2009. Doorway into room 12, oecus, looking east to doorway into room 13, peristyle garden.

Warscher writing in her Codex, quoting Mau in Bull. Inst. 1874, p.265, described this as –

“Passiamo adesso nel peristilio, accessibile per la seconda camera a sinistra dell’atrio.

E desso piuttosto spazioso ed ha portici verso N e O, il cui tetto era sorretto da due pilastri messi insieme, sull’angolo, ed un’altro sul lato di N, ma più verso E, per lasciar libero lo sguardo dal triclinio situato da quella parte.

Verso S e E il muro del giardino è diviso in scompartimenti intermediati da altri stretti, in ciascun de’quali è dipinto un candelabro.

Invece gli scompartimenti grandi sono riempiti della pittura d’un giardino: un cancello, sormontato in ciascun scompartimento da un’anfora, e dietro di esso un boschetto con uccelli: a destra e a sinistra Ibis e nel mezzo un faggiano.

I portici ed i pilastri hanno una decorazione semplici: senza zoccolo vi sono scompartimenti rossi alternativamente stretti e larghi, alti m. 1,46 divisi da striascie gialle e contornati da linee bianche.

Quegli stretti sono abbelliti d’una ghirlanda verticale, mentre fra que’larghi su due troviamo una ghirlanda attaccata colle due estremità, sul resto qualche animale come uccelli ecc”.

See Warscher T., 1935. Codex Topographicus Pompeianus: Regio I.2. (no.31), Rome: DAIR, whose copyright it remains.

 

(translation: “We go now to the peristyle, accessible by the second room on the left of the atrium.

It was rather spacious and had porticoes towards the north and west, whose roof was supported by two pillars linked together on the corner, and another on the north side, but more towards the east, to leave free the view from the triclinium situated at that part.

Towards the south and east, the wall of the garden was divided into compartments, between which were narrow ones, in each of which a candelabra was painted.

The large compartments instead were filled with a painting of a garden: a gate, surmounted in each compartment by an amphora, and behind it a wood with birds: Ibis were to the right and to the left, and in the middle a pheasant.

The porticoes and pilasters had a simple decoration: without a zoccolo, there were red alternately narrow and wide compartments, 1,46m high, divided by yellow stripes and surrounded by white lines.

The narrow ones were embellished with a vertical garland, while between those wide on two were found a garland attached with the two ends, on the rest some animals, like birds, etc.”)

 

I.2.17 Pompeii. September 2010. Looking north in room 12, towards doorway in north wall to room 4. Photo courtesy of Drew Baker.

I.2.17 Pompeii. September 2010.

Looking north in room 12, towards doorway in north wall to room 4. Photo courtesy of Drew Baker.

 

I.2.17 Pompeii. September 2010. Looking west in room 12, towards doorway in west wall into atrium. Photo courtesy of Drew Baker.

I.2.17 Pompeii. September 2010.

Looking west in room 12, towards doorway in west wall into atrium. Photo courtesy of Drew Baker.

 

I.2.17 Pompeii.  March 2009. Room 13. Peristyle Garden, South wall.

I.2.17 Pompeii. March 2009. Room 13, looking south-east along south wall of peristyle garden.

 

I.2.17 Pompeii. March 2009. Room 13, south wall, looking south-east.
According to Jashemski, the peristyle garden, excavated in 1873, had a portico on the north and west side. It was supported by two pillars, one on the north-west corner, the other in the middle of the north side. See Jashemski, W. F., 1993. The Gardens of Pompeii, Volume II: Appendices. New York: Caratzas. (p.23)

I.2.17 Pompeii. March 2009. Room 13, south wall of the peristyle garden, looking south-east.

According to Jashemski, the peristyle garden, excavated in 1873, had a portico on the north and west side.

It was supported by two pillars, one on the north-west corner, the other in the middle of the north side.

See Jashemski, W. F., 1993. The Gardens of Pompeii, Volume II: Appendices. New York: Caratzas. (p.23)

 

I.2.17 Pompeii. September 2010. Room 13, south wall with detail of shell-like plaster feature. Photo courtesy of Drew Baker.

I.2.17 Pompeii. September 2010. Room 13, south wall with detail of shell-like plaster feature. Photo courtesy of Drew Baker.

 

I.2.17 Pompeii. September 2010. Room 13, south wall with detail of shell-like plaster feature. Photo courtesy of Drew Baker.

I.2.17 Pompeii. September 2010. Room 13, south wall with detail of shell-like plaster feature. Photo courtesy of Drew Baker.

 

I.2.17 Pompeii.  March 2009. . Room 13. South wall.

I.2.17 Pompeii. March 2009. Room 13, south wall.

 

I.2.17 Pompeii.  March 2009.   Room 13. South wall. Remains of stucco shell decoration.

I.2.17 Pompeii. March 2009. Room 13, south wall. Remains of stucco shell decoration.

 

I.2.17 Pompeii.  March 2009. . Room 13. South wall. Remains of decoration under stucco.

I.2.17 Pompeii. March 2009. Room 13, south wall. Remains of decoration under stucco shell.

 

I.2.17 Pompeii. March 2009. Room 13, south-east corner. The east and south walls of the garden were decorated with garden paintings, no longer visible

I.2.17 Pompeii. March 2009.

Room 13, south-east corner. The east and south walls of the garden were decorated with garden paintings, no longer visible.

 

I.2.17 Pompeii. March 2009. Room 13, looking towards east wall. According to Jashemski, built against the east wall was a shrine-like structure, the niche veneered with marble. The niche contained a marble statuette of Venus, now in Naples Archaeological Museum, inventory number 109608. The wall behind the statue was painted to represent blue drapery, the ceiling had shell-like fluting. The east and south walls of the garden were decorated with garden paintings.  The large room (c) on the north had a fine view of the garden. See Jashemski, W. F., 1993. The Gardens of Pompeii, Volume II: Appendices. New York: Caratzas. (p.23)

I.2.17 Pompeii. March 2009. Room 13, looking towards east wall.

According to Jashemski, built against the east wall was a shrine-like structure, the niche veneered with marble.

The niche contained a marble statuette of Venus, now in Naples Archaeological Museum, inventory number 109608.

The wall behind the statue was painted to represent blue drapery, the ceiling had shell-like fluting.

The east and south walls of the garden were decorated with garden paintings.

The large room (c) on the north had a fine view of the garden.

See Jashemski, W. F., 1993. The Gardens of Pompeii, Volume II: Appendices. New York: Caratzas. (p.23)

 

 

Part 7      Part 8      Part 1      Part 2      Part 3      Part 4      Part 5      Plan

 

 

 

 

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Le immagini fotografiche a bassa risoluzione pubblicate su questo web site sono copyright © di Jackie e Bob Dunn E NON POSSONO ESSERE UTILIZZATE, IN ALCUNA CIRCOSTANZA, PER GUADAGNO O RICOMPENSA COMMERCIALMENTE. Su concessione del Ministero della Cultura - Parco Archeologico di Pompei. Si comunica che nessun riproduzione o duplicazione può considerarsi legittimo senza l'autorizzazione scritta del Parco Archeologico di Pompei.

Ultimo aggiornamento - Last updated: 15-Apr-2023 17:03