PompeiiinPictures

I.4.25 Pompeii. Domus L. Rapinasi Optati.

Linked to 1.4.5 and I.4.28. Excavated 1853-1861, 1868, 1872 and 1929.

 

Part 8      Part 9      Part 10      Part 11      Part 12      Part 13      Part 1      Part 2      Part 3      Part 4      Part 5      Part 6      Part 7

 

We have combined the pictures of I.4.5 and 1.4.25 here.  See also combined room plan (opens in separate window)

 

I.4.25 Domus L. Rapinasi Optati.  December 2004.  Lower peristyle looking west along north side.

I.4.25 Pompeii. December 2004. Lower peristyle looking west along north side.

 

I.4.25 Pompeii. 1966. Looking west along windows on north side of lower peristyle. Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.
J66f0565

I.4.25 Pompeii. 1966. Looking west along windows on north side of lower peristyle. Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J66f0565

 

I.4.25 Domus L. Rapinasi Optati.  December 2004.  Lower peristyle looking south along west side.

I.4.25 Pompeii. December 2004. Lower peristyle looking south along west side.

 

I.4.25 Domus L. Rapinasi Optati.  December 2004.  Lower peristyle looking east along south side.

I.4.25 Pompeii. December 2004. Lower peristyle looking east along south side.

 

I.4.25 Pompeii. December 2004. Room 32, north wall and north-east corner showing mosaic floor of exedra near lower peristyle.

I.4.25 Pompeii. December 2004. Room 32, north wall and north-east corner showing mosaic floor of exedra near lower peristyle.

 

I.4.25 Pompeii. 1937-1939. Lower photo of mosaic probably from exedra, room 32
Upper mosaic, not yet found. Photo courtesy of American Academy in Rome, Photographic Archive.  Warsher collection no. 330.

I.4.25 Pompeii. 1937-1939. Lower photo of mosaic probably from exedra, room 32

Upper mosaic, not yet found, but perhaps from room 31 as it appears to be similar.

Photo courtesy of American Academy in Rome, Photographic Archive.

Warsher collection no. 330.

 

I.4.25 Pompeii. December 2007. Room 32, east wall of exedra, with plastic reproduction of wall painting now in Naples Museum.

I.4.25 Pompeii. December 2007. Room 32, east wall of exedra, with plastic reproduction of wall painting now in Naples Museum.

 

I.4.25 Pompeii. Found 1869. Room 32, east wall of exedra. 
Wall painting of Iphigenia in Tauris with Thoas, Orestes and Pylades.
According to Helbig, Thoas sits on the right on a stone seat covered with a leopard skin. 
Behind him, is a guard wearing a Phrygian cap and bearing a shield in his left hand.
Orestes wearing a red cloak looks melancholy.
Pylades, wearing a yellow and light purple cloak, looks livelier, a mixture of fear and defiance.
A second guard, with face covered and holding two spears, stands behind the prisoners.
At the rear is a staircase that leads to a temple platform on which Iphigenia moves slowly towards the stairs.
The top of the picture is destroyed but it is likely she is looking towards the visitors. 
She is probably carrying the Tauran Artemis idol on her left shoulder.
Now in Naples Archaeological Museum. Inventory number 9111.
See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel, 1333, p. 295-6.

I.4.25 Pompeii. Found 1869. Room 32, east wall of exedra.

Wall painting of Iphigenia in Tauris with Thoas, Orestes and Pylades.

According to Helbig, Thoas sits on the right on a stone seat covered with a leopard skin.

Behind him, is a guard wearing a Phrygian cap and bearing a shield in his left hand.

Orestes wearing a red cloak looks melancholy.

Pylades, wearing a yellow and light purple cloak, looks livelier, a mixture of fear and defiance.

A second guard, with face covered and holding two spears, stands behind the prisoners.

At the rear is a staircase that leads to a temple platform on which Iphigenia moves slowly towards the stairs.

The top of the picture is destroyed but it is likely she is looking towards the visitors.

She is probably carrying the Tauran Artemis idol on her left shoulder.

Now in Naples Archaeological Museum. Inventory number 9111.

See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel, 1333, p. 295-6.

 

I.4.25 Pompeii. 1964. Room 32, detail from central painting on east wall of exedra.
Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J64f1051

I.4.25 Pompeii. 1964. Room 32, detail from central painting on east wall of exedra.

Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J64f1051

 

I.4.25 Pompeii. c.1857. Room 32, exedra. Sketch of wall painting of Iphigenia in Tauris with Thoas (Toantes), Orestes and Pylades. See Real Museo Borbonico, Part XVI, Table XVII.

I.4.25 Pompeii. c.1857. Room 32, exedra.

Sketch of wall painting of Iphigenia in Tauris with Thoas (Toantes), Orestes and Pylades.

See Real Museo Borbonico, Part XVI, Table XVII.

 

I.4.25 Pompeii. Room 32, exedra. Perhaps 1854. Drawing by Nicola La Volpe of wall painting from east wall. 
According to Disegnatori, June 1834 is the date seen on the note on the lower left of drawing.
See Carratelli, G. P., 2003. Pompei: La documentazione nell'Opera di disegnatori e pittori dei secoli XVIII e XIX. Roma: Istituto della enciclopedia italiana, p. 599.
The excavation dates for I.4.25 and the dating of ADS 27 also in this house, by La Volpe and with a similar note (see below) to 1854 suggest this may perhaps also be read as June 1854.
Now in Naples Archaeological Museum. Inventory number ADS 28.
Photo © ICCD. http://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

I.4.25 Pompeii. Room 32, exedra. Perhaps 1854. Drawing by Nicola La Volpe of wall painting from east wall.

According to Disegnatori, June 1834 is the date seen on the note on the lower left of drawing.

See Carratelli, G. P., 2003. Pompei: La documentazione nell'Opera di disegnatori e pittori dei secoli XVIII e XIX. Roma: Istituto della enciclopedia italiana, p. 599.

The excavation dates for I.4.25 and the dating of ADS 27 also in this house, by La Volpe and with a similar note (see below) to 1854 suggest this may perhaps also be read as June 1854.

Now in Naples Archaeological Museum. Inventory number ADS 28.

Photo © ICCD. http://www.catalogo.beniculturali.it

Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

 

I.4.25 Pompeii. December 2007. Room 32, mosaic floor from north side of exedra.

I.4.25 Pompeii. December 2007. Room 32, mosaic floor from north side of exedra.

 

I.4.25 Pompeii. December 2004. Room 32, south wall of exedra near lower peristyle.

I.4.25 Pompeii. December 2004. Room 32, south wall of exedra near lower peristyle.

 

I.4.25 Pompeii. December 2004. Room 32, south wall of exedra near lower peristyle.
Reproduction of wall painting of Bacchus discovering the abandoned Ariadne.
Original now in Naples Archaeological Museum.  Inventory number 9286.

I.4.25 Pompeii. December 2004. Room 32, south wall of exedra near lower peristyle.

Reproduction of wall painting of Bacchus discovering the abandoned Ariadne.

Original now in Naples Archaeological Museum. Inventory number 9286.

 

I.4.25 Pompeii. Room 32, south wall of exedra near lower peristyle.
Wall painting of Bacchus discovering the abandoned Ariadne.
Now in Naples Archaeological Museum. Inventory number 9286.

I.4.25 Pompeii. Room 32, south wall of exedra near lower peristyle.

Wall painting of Bacchus discovering the abandoned Ariadne.

Now in Naples Archaeological Museum. Inventory number 9286.

See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel, (1239).

 

I.4.25 Pompeii. Room 32, south wall of exedra near lower peristyle.
Drawing by Nicola La Volpe, 24th November 1854, of wall painting of Bacchus discovering the abandoned Ariadne.
Now in Naples Archaeological Museum. Inventory number ADS 27.
Photo © ICCD. http://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

I.4.25 Pompeii. Room 32, south wall of exedra near lower peristyle.

Drawing by Nicola La Volpe, 24th November 1854, of wall painting of Bacchus discovering the abandoned Ariadne.

Now in Naples Archaeological Museum. Inventory number ADS 27.

Photo © ICCD. http://www.catalogo.beniculturali.it

Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

 

I.4.25 Pompeii. ADS 45. Painting by Michele Mastracchio, of female flying Bacchante on yellow background, 
According to Disegnatori, p.489, no.86, the above figure was from Exedra 35, (our room 32), 
Whereas according to p.372, 186/187, the same painting by Abbate below, the location was not recognisable.  
See Carratelli, G. P., 2003. Pompei: La documentazione nell'Opera di disegnatori e pittori dei secoli XVIII e XIX. Roma: Istituto della enciclopedia italiana, p.489, no.86, p.372, 186/187.
Now in Naples Archaeological Museum. Inventory number ADS 45.
Photo © ICCD. http://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

I.4.25 Pompeii. ADS 45. Painting by Michele Mastracchio, of female flying Bacchante on yellow background,

According to Disegnatori, p.489, no.86, the above figure was from Exedra 35, (our room 32),

Whereas according to p.372, 186/187, the same painting by Abbate below, the location was not recognisable. 

See Carratelli, G. P., 2003. Pompei: La documentazione nell'Opera di disegnatori e pittori dei secoli XVIII e XIX. Roma: Istituto della enciclopedia italiana, p.489, no.86, p.372, 186/187.

Now in Naples Archaeological Museum. Inventory number ADS 45.

Photo © ICCD. http://www.catalogo.beniculturali.it

Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

 

I.4.25 Pompeii. Painting by Giuseppe Abbate, of female flying figure.
Now in Naples Archaeological Museum. Inventory number ADS 46.
Photo © ICCD. http://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

I.4.25 Pompeii. Painting by Giuseppe Abbate, of female flying figure.

Now in Naples Archaeological Museum. Inventory number ADS 46.

Photo © ICCD. http://www.catalogo.beniculturali.it

Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

 

I.4.25 Pompeii. December 2007. Doorway to room 33, triclinium on west side of lower peristyle.

I.4.25 Pompeii. December 2007. Doorway to room 33, triclinium on west side of lower peristyle.

 

I.4.25 Pompeii. December 2007. Room 33, triclinium on west side of lower peristyle. 
Looking at west wall. The west wall used to have a wall painting of Endymion and Selene.
The south wall used to have a wall painting of Adonis and Aphrodite. 
Both these paintings are now lost. The floor was black and white marble.

I.4.25 Pompeii. December 2007. Room 33, triclinium on west side of lower peristyle.

Looking at west wall. The west wall used to have a wall painting of Endymion and Selene.

The south wall used to have a wall painting of Adonis and Aphrodite.

Both these paintings are now lost. The floor was black and white marble.

 

I.4.25 Pompeii. December 2007. Room 33, north wall of triclinium on west side of lower peristyle.

I.4.25 Pompeii. December 2007. Room 33, north wall of triclinium on west side of lower peristyle.

 

I.4.25 Pompeii. December 2007. Room 33, north wall of triclinium on west side of lower peristyle. 
Reproduction of wall painting of the myth of Io, Argo and Mercury. 
Now in Naples Archaeological Museum.  Inventory number 9557.

I.4.25 Pompeii. December 2007. Room 33, north wall of triclinium on west side of lower peristyle.

Reproduction of wall painting of the myth of Io, Argo and Mercury.

Now in Naples Archaeological Museum.  Inventory number 9557.

 

I.4.25 Pompeii. Room 33, north wall of triclinium on west side of lower peristyle.
Wall painting of the myth of Io, Argo and Mercury. 
Now in Naples Archaeological Museum. Inventory number 9557.

I.4.25 Pompeii. Room 33, north wall of triclinium on west side of lower peristyle. Wall painting of the myth of Io, Argo and Mercury.

Now in Naples Archaeological Museum. Inventory number 9557.

 

I.4.25 Pompeii. Room 33, north wall of triclinium on west side of lower peristyle. 
Drawing by Giuseppe Abbate of wall painting of the myth of Io, Argo and Mercury. 
See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel, (137).
Now in Naples Archaeological Museum. Inventory number ADS 36.
Photo © ICCD. http://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

I.4.25 Pompeii. Room 33, north wall of triclinium on west side of lower peristyle.

Drawing by Giuseppe Abbate of wall painting of the myth of Io, Argo and Mercury.

See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel, (137).

Now in Naples Archaeological Museum. Inventory number ADS 36.

Photo © ICCD. http://www.catalogo.beniculturali.it

Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

 

I.4.25 Pompeii. Room 33, north wall of triclinium on west side of lower peristyle. 
Drawing by Nicola La Volpe, of wall painting of the myth of Io, Argo and Mercury. 
Now in Naples Archaeological Museum. Inventory number ADS 37.
Photo © ICCD. http://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

I.4.25 Pompeii. Room 33, north wall of triclinium on west side of lower peristyle.

Drawing by Nicola La Volpe, of wall painting of the myth of Io, Argo and Mercury.

Now in Naples Archaeological Museum. Inventory number ADS 37.

Photo © ICCD. http://www.catalogo.beniculturali.it

Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

 

I.4.25 Pompeii. Room 33, panel with female flying figures, perhaps “Day” and “Night”.
The decoration on the walls has now faded away. 
See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel, (1951).
Now in Naples Archaeological Museum. Inventory number ADS 38.
Photo © ICCD. http://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

I.4.25 Pompeii. Room 33, panel with female flying figures, perhaps “Day” and “Night”.

The decoration on the walls has now faded away.

See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel, (1951).

Now in Naples Archaeological Museum. Inventory number ADS 38.

Photo © ICCD. http://www.catalogo.beniculturali.it

Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

 

I.4.25 Pompeii. Room 33, panel with flying figures of Psyche and a Cupid. 
The decoration on the walls has now faded away. 
Now in Naples Archaeological Museum. Inventory number ADS 59.
Photo © ICCD. http://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

I.4.25 Pompeii. Room 33, panel with flying figures of Psyche and a Cupid.

The decoration on the walls has now faded away.

Now in Naples Archaeological Museum. Inventory number ADS 59.

Photo © ICCD. http://www.catalogo.beniculturali.it

Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

 

I.4.25 Pompeii. December 2007. Doorway to room 34, cubiculum on north side of room 33, with a connecting door to the tablinum.

I.4.25 Pompeii. December 2007. Doorway to room 34, cubiculum on north side of room 33, with a connecting door to the tablinum.

 

I.4.25 Domus L. Rapinasi Optati.  December 2007.  Room 34. South west corner, with remains of wall plaster.

I.4.25 Pompeii. December 2007. Room 34, south-west corner, with remains of wall plaster.

 

I.4.25 Domus L. Rapinasi Optati.  December 2007.  Looking north east along the north wall of the Lower Peristyle, with windows to the Middle Peristyle. Photographed from outside Room 34.

I.4.25 Pompeii. December 2007. Looking north-east along the north wall of the lower peristyle, with windows to the middle peristyle.

Photographed from outside room 34.

 

 

Part 9      Part 10      Part 11      Part 12      Part 13      Part 1      Part 2      Part 3      Part 4      Part 5      Part 6      Part 7

 

We have combined the pictures of I.4.5 and 1.4.25 here.  See also combined room plan (opens in separate window)

 

 

 

The low resolution pictures on this site are copyright © of Jackie and Bob Dunn and MAY NOT IN ANY CIRCUMSTANCES BE USED FOR GAIN OR REWARD COMMERCIALLY. On concession of the Ministero dei Beni e delle Attività Culturali e del Turismo - Parco Archeologico di Pompei. It is declared that no reproduction or duplication can be considered legitimate without the written authorization of the Parco Archeologico di Pompei.

Le immagini fotografiche a bassa risoluzione pubblicate su questo web site sono copyright © di Jackie e Bob Dunn E NON POSSONO ESSERE UTILIZZATE, IN ALCUNA CIRCOSTANZA, PER GUADAGNO O RICOMPENSA COMMERCIALMENTE. Su concessione del Ministero dei Beni e delle Attività Culturali e del Turismo - Parco Archeologico di Pompei. Si comunica che nessun riproduzione o duplicazione può considerarsi legittimo senza l'autorizzazione scritta del Parco Archeologico di Pompei.

Ultimo aggiornamento - Last updated: 22-Dec-2018 16:07