Part 3 Part 4 Part 5
Part 1 Part 2 Plan
Oecus “p”, looking
north through doorway into large room on north side of peristyle.
Foto Annette Haug, ERC Grant 681269 DÉCOR.
V.1.18 Pompeii. May 2012. Oecus “p”, looking north in large room on north side of peristyle. Photo courtesy of Buzz Ferebee.
V.1.18 Pompeii. October 2019. Oecus “p”, looking towards
north wall in large room on north side of peristyle.
Foto Annette Haug, ERC Grant 681269 DÉCOR.
V.1.18 Pompeii. March 2009. Oecus “p”, large room on north side of peristyle. Looking north.
V.1.18 Pompeii. December 2007.
Oecus “p” on north side of peristyle “i”. On the east (right) wall was a painting of Polyphemus and Galatea.
See Schefold, K., 1957. Die Wände Pompejis. Berlin: De Gruyter. p. 65.
V.1.18 Pompeii. December 2007. Oecus “p”, north wall. Remains of wall painting of the Judgement of Paris.
According to Sogliano, Hermes is also represented saying HIC IUDICES to Paris [CIL IV 4050].
See Sogliano, A.,
1879. Le pitture murali campane scoverte
negli anni 1867-79. Napoli: Giannini. (p. 107, No. 563).
See Schefold, K., 1957. Die Wände Pompejis. Berlin: De Gruyter. p. 65.
V.1.18 Pompeii. March 2009. Oecus “p”, west wall. On this wall was a painting of Diana and Acteon.
See Sogliano, A.,
1879. Le pitture murali campane scoverte
negli anni 1867-79. Napoli: Giannini. (p. 30, No. 117).
See Schefold, K., 1957. Die Wände Pompejis. Berlin: De Gruyter. p. 65.
V.1.18 Pompeii. December 2007.
Corridor “q” leading to rear of house, services area and entrances V.1.11 and V.1.12.
V.1.18 Pompeii. December 2007. Exedra “y” on north-east side of peristyle.
V.1.18 Pompeii. c.1930. Looking towards doorway of exedra “y”.
See Blake, M., (1930). The pavements of the Roman Buildings of the Republic and Early Empire. Rome, MAAR, 8, (p.107,120, & Pl.28, tav.1).
V.1.18 Pompeii. May 2012. Exedra “y”, detail of mosaic floor and door threshold. Photo courtesy of Buzz Ferebee.
V.1.18 Pompeii. December 2007. Exedra “y”, mosaic floor and door threshold.
V.1.18 Pompeii. May 2012. Exedra “y”, looking towards north-west corner. Photo courtesy of Buzz Ferebee.
V.1.18 Pompeii. March 2009. Exedra “y”, looking towards north-west corner.
V.1.18 Pompeii. October 2019. Exedra “y”, looking towards west
wall.
Foto Annette Haug, ERC Grant 681269 DÉCOR.
V.1.18 Pompeii. April 2012. West wall of exedra “y” with paintings of mythological scenes. Photo courtesy of Marina Fuxa.
V.1.18 Pompeii. December 2007. West wall of exedra “y” with paintings with mythological scenes.
V.1.18 Pompeii. October 2019.
Exedra “y”, centre of west wall. Wall painting of The Wrestling Contest between Pan and Eros in the presence of Venus.
Foto Annette Haug, ERC Grant 681269 DÉCOR.
V.1.18 Pompeii. March 2009. West wall of exedra “y”.
Wall painting of The Wrestling Contest between Pan and Eros in the presence of Venus.
See Leach, E.W., 2004. The Social Life of Painting in Ancient Rome and on the Bay of Naples. Cambridge UK: Cambridge UP. (p.135).
V.1.18 Pompeii. April 2012.
West wall of exedra “y”, central painting of The Wrestling Contest between Pan and Eros in the presence of Venus.
Photo courtesy of Marina Fuxa.
V.1.18 Pompeii. March 2009. West wall of exedra “y”. Wall painting of The Wrestling Contest between Pan and Eros.
The house was named after the Greek verses written as explanation under several of the paintings.
V.1.18 Pompeii. 1876 transcription of verse on wall painting of The Wrestling Contest between Pan and Eros.
West wall of exedra “y”.
According to Varone and Stefani, this verse can be seen under this painting. This refers to CIL IV 3407, 1.
See Varone, A. and Stefani, G., 2009. Titulorum Pictorum
Pompeianorum, Rome:
L’erma di Bretschneider, (p.298-9).
See Notizie degli Scavi di Antichità, 1876,
p. 78.
The Swedish Pompeii Project records the epigram on this picture, and its translation, as:
Ὁ θρασὺ[ς] ἀνθέστακεν Ἔρως [τῷ Πανὶ παλαίων],
χά Κύπ̣ρ̣̣ι̣ς ὠ{ι}δ{ε}ίνει, τίς τίνα [πρ]ῶ̣τος ἑλε̣ῖ̣.
[ἰ]σ̣χ̣υ̣ρ̣̣̣ὸς μὲν ὁ Πὰν καὶ καπτερός, ἀλλὰ π̣α̣νοῦργος
[ὁπ]τ[α]νός –και Ἔρως̇ οἴχεται ἁ δύναμις.
Bold Love has taken a stand against Pan in a wrestling match,
and Aphrodite is in anguish as to who will take whom first.
Strong is Pan and powerful. But cunning
too is winged Eros. Strength is departing. [CIL IV 3407, 1]
See http://www.pompejiprojektet.se/admin/rwdx/inscriptions/Casa_degli_Epigrammi_Greci.pdf
V.1.18 Pompeii. May 2012. West wall of exedra “y”, showing detail of Greek verse. Photo courtesy of Buzz Ferebee.
V.1.18 Pompeii. April 2012. West wall of exedra “y”, detail of Pan. Photo courtesy of Marina Fuxa.
V.1.18 Pompeii. April 2012. West wall of exedra “y”, detail of Venus. Photo courtesy of Marina Fuxa.
V.1.18 Pompeii.
Drawing by Geremia Discanno of The Wrestling Contest between Pan and Eros from west wall of exedra “y”.
Now in Naples Archaeological Museum. Inventory number ADS 111.
Photo © ICCD. https://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione
- Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)
Exedra “y”, west wall at north end. Wall painting of a winged figure possibly a muse.
Foto Annette Haug, ERC Grant 681269 DÉCOR.
V.1.18 Pompeii. March 2009. West wall of exedra “y”, north end.
Wall painting of a winged figure possibly a muse.
See Leach, E.W., 2004. The Social Life of Painting in Ancient Rome and on the Bay of Naples. Cambridge UK: Cambridge UP. (p.135).
V.1.18 Pompeii. May 2012. West wall of exedra “y”, north end.
Detail of wall painting of a winged figure possibly a muse. Photo courtesy of Buzz Ferebee.
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